Jumat, 19 Januari 2018

6 Simple Ways To Show And Not Tell

(Lanjutan Teknik Menulis Feature)


Telling is sometimes called using a summary mode. It should be used sparingly because it distances the reader from the viewpoint character’s goals and actions. It is mostly better to show rather than tell.  The concept, Show Don’t Tell, is one of the trickiest things for beginners to grasp. It’s something we teach on our journalism class, and it’s an ‘aha moment’ that can’t be rushed.

1.     Avoid using abstract words when you describe a person. 



Don’t write: She was a beautiful woman and David was sure that every man in the coffee shop thought so too. He felt jealous.  
Do writeYou look like an angel. Written in the foam of her cappuccino. David tensed as  she smiled at the message from the unseen barista.

 

2.  Avoid adjectives. Use verbs. Adjectives tell. Verbs show.


Don’t write: She spoke in a drunk manner.
Do write: She slurred.

Don’t say: Sarah appeared to be angry as she put her books on the table.
Do say: Sarah slapped her books on the table.

Don’t say: Angus seemed distracted as he walked along the road. 
Do say: Angus paused in the road. A car’s brakes screamed. ‘Hey, watch out!’ He jumped at the sound of the angry driver’s voice. ‘Why don’t you look where you’re going?’ 

3.  Don’t generalise. Be specific.


Don’t write: There was a bird outside the room.
Do write: A robin perched on the windowsill.

The more specific you are with your descriptions and actions the easier it will become to show.

4.  Use the senses. 

Write a list of what your character sees, hears, feels, touches and tastes. Then write about it without using the words see, hear, feel, touch and taste.

5.  Dialogue 

This is one of the simplest tools to use. The moment your characters start talking, showing becomes easier.

5.  Choose a viewpoint character

It is easier if you are experiencing the scene as one character. You can even try writing a scene in first person if this is hard for you. Use it as practice. You can change the viewpoint later if needed

Happy showing.

Rabu, 17 Januari 2018

The 18 Essential Rules Of Journalism



The Essential Rules of Journalism serves as your no-BS cheat-sheet to the rules of the playing field. They are, at least in my humble opinion, what makes a good journalist– and good journalism. Writing them down was partially inspired by Captain Beefheart’s Commandments of Guitar Playing (of whom I have always been a rabid fan), my various courses offered to journalists and lastly, my own mistakes. 😁😁


#1: Ask questions.
One of a journalist’s greatest assets is their natural curiosity. Start with the famed five W’s (and one H), then ask some more. Asking “why?” is what gets you the good stuff.

#2: Dig for the story.
If you think you’ve got the whole story, dig around some more. The most fascinating parts of the story are often just under the surface.

#3: Master the language.
As a journalist, language is your main tool. Read as much as you can and as often as you can, research odd words and archaic sayings, look at what’s behind etymology. Learn the patterns behind language and how to use them.

#4: Spelling matters.
Double-check if you aren’t sure about spelling or style (especially in the case of names), and read through messages and articles thoroughly before sending either. 

#5: Know thy publication.
Before you pitch, know a publication’s style, editorial staff and content. Publications are usually more than happy to provide back-issues. If you can’t find writer’s guidelines, send a short introductory email requesting them.

#6: Contacts are your career.
Contacts (and your reputation with said contacts) are your entire career. Editors, sources and interviewees are all vital parts of the journalistic process. Without them, you’d be screwed. 

#7: Once it’s off the record, keep it that way.
Trusted sources will tell you all sorts of juicy, fascinating, scandalous and personal things in your career as a journalist, often off the record. Shut up about it. 

#8: Three is a golden number.
Mind the rule of threes: Have at least three reliable, corroborating sources for every fact; three interviewees for every article; and read through a piece at least three times before you sit down to change a comma – that’s at least. 

#9: Rejection is opportunity.
Getting a story rejected means you’ve just opened up a line of communication with a new editor – congratulations. Pitch again. Rejection also gives you a chance to sell the story elsewhere: Sometimes rejection just means it’s not right for them 

#10: Editors are teachers.
You can learn a hell of a lot from the experience of your editors, and when given the chance you should. They braved the journalistic battlefield before you, so you can trust their edits and advice. Usually, they’re right. 

#11: Mind the word count.
Yes, you can do that in the assigned word count, and the editor will either make you add or cut if you don’t. Here, they always know better. (Remember this piece of key-advice from The Elements of Style and repeat it as your daily editing mantra: Omit unnecessary words.) 

#12: Deadlines are holy.
Deadlines exist for a reason: Never skip out on a deadline unless you are incapacitated or dead. If you have to, let your editor know beforehand and have a damn good reason. Then, don’t do it again. Compare deadlines to menstrual cycles: If you skip one, you might just be stressed. If you skip several, you’re in trouble. 

#13: Know the law.
Journalism can take you to some strange places. Make sure you know the law and what side of it you’re standing on at all times. 

#14: Always do your research.
Make sure that your research is flawless and that you can always match which source gave which fact. Cross-reference, find first-hand information and do your background research before requesting, planning or conducting an interview. 

#15: Have it outlined.
Have the skeleton of your idea outlined and ready by the time you pitch the idea. That way you have all the information ready, and it makes your job – and theirs – easier. Your outline should include the article’s proposed headline, the article’s sub-headers and sections (you can write down facts as key-words here) and who you will interview. 

#16: Keep and file everything.
Keep prior notes, interviews, sources, tapes, the lot: You never know when you’ll need it, and you probably will.

#17: Guard your vices.
Many great journalists have been crippled or completely destroyed by their vices – and it can be almost anything: Overworking, coffee, manic exercising, painkillers or heavier drugs. Whatever yours is, keep it in check or risk your job.

#18: Burnout is a rabid, fanged monkey.
Burnout is a myth, until you’re there. It’s a mental and physical seize of your writing engine, and if you don’t find your way to unwind you’ll get there a lot quicker.

Mengenal Foto Jurnalistik


Foto jurnalistik di sini adalah foto yang dimaksudkan sebagai karya jurnalistik, atau foto yang kemudian dimuat dalam media massa/jurnalistik. Jadi, foto jurnalistik  memperhatikan nilai-nilai jurnalistik (yaitu Signifikansi, kedekatan,  kebaruan-waktu, ketokohan, dll seperti yang pernah kita pelajari). Dalam hal ini lah foto jurnalisttik berbeda dengan foto dokumentasi/probadi dan juga dengan foto seni/art photografi.

Ciri-ciri foto jurnalis:
    1.Memiliki nilai berita atau menjadi berita itu sendiri.
    2.Melengkapi suatu berita/artikel.
    3.Dimuat dalam suatu media.

Membahasa foto jurnalistik, kita mengenal istilah foto berita/peristiwa, foto ilustrasi, foto ilustrasi aktif dan foto ilustrasi pasif, foto spot news, foto general news, foto feature, esay foto , foto headshot.

Foto berita/peristiwa, dapat berdiri sendiri walau hanya dengan sebuah caption ringkas, namun sangat deskriptif Sehingga mampu menginformasikan banyak pesan.  

Pesan dalam foto: Ikon, Simbol dan Indeks 

Agar fotonya dapat membawa banyak pesan ini, jurnalis fotografer berusaha memasukkan sebanyak mungkin simbol, ikon, indeks di dalam karya foto jurnalistiknya.  Misalnya, perhatikan foto dibawah ini:



Foto di halaman 1  Harian Jawapos edisi Minggu 3 Juni 2012 ini, tidak hanya berupa gambar sebuah bus yang terbakar hebat, tetapi pada pinggir foto dapat kita lihat gambar patung selamat datang (tugu pancoran) yang sudah menjadi ikon kota Jakarta, jadi tanpa membaca caption foto, orang yang melihat foto ini langsung tahu lokasi kejadian. Asap mengepul hitam itu,  juga merupakan indeks dahsyatnya peristiwa kebakaran.

Sebuah permisalan lain, ketika kita memotret peristiwa demontrasi, maka kita upayakan memasukkan dalam hasil foto kita berbagai simbol yang dibawa demontran (mengupayakan pembaca agar langsung tahu, tanpa perlu membaca caption foto, dari kelompok manakah demontran tersebut).

Hal lain dalam foto jurnalistik, kita harus sadar (dan mengupayakan) foto jurnalistik membawa (se-sarat mungkin) pesan berupa indeks. Ketika kita memotret peserta sidang paripurna DPR /MPR yang sedang terkantuk-kantuk  di kursinya, maka kita menyampaikan ekspresi mengantuk mereka yang merupakan indeks  dari banyak hal (salah satunya) sikap mereka sebagai wakil rakyat dalam mengemban tugasnya.

Foto jurnalistik menjadi kaya/sarat pesan, karena wartawannya  jeli mencermati ikon, simbol dan indeks, yang kemudian memasukkannya dalam karya fotonya.

Dalam dunia jurnalistik foto, kita juga mengenal foto ilustrasi. Baik foto ilustrasi aktif maupun foto ilustrasi pasif.  Foto ilustrasi aktif menjadi foto pendamping bagi tulisan, dengan thema atau peristiwa yang betul-betul terkait langsung dengan tulisan.  Sedangkan foto ilustrasi pasif, menjadi pelengkap  tulisan walaupun bukan merupakan foto peristiwa yang terkait langsung dengan isi tulisan, ia menjadi ilustrasi pasif mungkin sekadar pemanis, penghias halaman.

Selain itu, kita mengenal istilah Spot news: Yaitu pengambilan foto-foto secara insidential, artinya tanpa perencanaan. Misalnya foto bencana. Seorang wartawan harus siap mengambil foto sewaktu-waktu. Sebab banyak peristiwa yang terjadi begitu mendadak. Dalam hal ini, banyak juga karya foto yang dibuat dengan kamera saku, bahkan kamera HP, bisa punya nilai tinggi secara jurnalistik.

Foto Spot News dapat dibedakan foto general news: ini jenis foto yang diambil secara terencana, karena kejadiannya memang sudah terjadwal atau sudah diperkirakan. Wartawan foto bisa melakukan persiapan sebaik-baiknya. Misalnya, foto SU MPR, foto olahraga, dll.
Cobalah cari tahu arti istilah Foto Feature, Esai Foto, dan Foto Headshot!?


Etika Foto Jurnalistik

Coba perhatikan pula foto berikut ini, untuk menyadarkan kita bahwa dalam foto jurnalistik harus memperhatikan pula kaidah-kaidah etika, baik dalam mengambil foto, mengedit maupun menayangkannya, pelajari kode etik jurnalistik yang terkait foto: